“Hos, Hookers, Call Girls, and Rent Boys”

Probably the most interesting article on sex I read all year.

Money and sex. Sex and money. Sounds dirty already. Is it the money that makes the sex dirty? Or the sex that makes the money dirty? Or, rather, the puritan strain that says they’re both dirty? How sexy! I mean, how inappropriate! And yet here we are again and again . . . and again. It’s former Gov. Eliot Spitzer of New York spending $80,000 on escorts, the parents (the parents!) of Senator John Ensign of Nevada distributing $96,000 to their son’s mistress and her family, Gov. Mark Sanford of South Carolina using taxpayer dollars to visit his South American “soul mate” and the $4 million rock on Kobe Bryant’s wife’s finger after his adulterous mishap. Money to get the sex, and money to make it go away.

If you are thinking this dynamic pairing is only for public figures, just contemplate your own divorce, past, present or future. And yet, still, it is taboo to regard sex and money as inextricably interwoven, to openly speak of them together. Why is sex supposed to be free? It never is. Ask anyone. Like Sebastian Horsley, England’s low-rent Oscar Wilde. “The difference between sex for money and sex for free,” he writes, “is that sex for money always costs a lot less.” Money is the elephant in every bedroom, making your parents’ constant presence look positively bourgeois.

But the connection is seeping into the mainstream. Witness Steven Soderbergh’s recent film, “The Girlfriend Experience,” which is about an expensive call girl and stars the real-life porn star Sasha Grey, and the new HBO series “Hung,” about a nice middle-aged dad who becomes a gigolo. The show, however, plays it safe, making him a financially strapped, reluctant gigolo and not, God forbid, a lusty one. Here, ironically, sex for money is more decent than sex for pleasure.

But if you want to know the real price of pleasure, ask the strippers, streetwalkers, Craigslist prostitutes, phone-sex operators, madams, pimps, drug addicts, porn stars and “performance artists” who offer themselves up in “Hos, Hookers, Call Girls, and Rent Boys,” a collection of essays, vignettes, rants and poems, edited by David Henry Sterry (who wrote the very good 2002 memoir “Chicken,” about his life as a young hustler) and R. J. Martin Jr., who once worked as director of development for the SAGE Project (Standing Against Global Exploitation) in San Francisco, which offers a wide variety of support services for the sexually abused, with an ultimate goal to bring about the end of commercial sexual exploitation. (The SAGE Project has nothing to do with the book.) While good girls require dinner, trips, “commitment” or even an engagement ring for sex, here is a book by those who simply get the cash upfront.

Giant Penis Sparks Bizarre Media War

Four decades ago, the mass-circulation tabloid Bild did its best to squelch the 1968 student movement in Berlin. This year, the German capital has seen the conflict swell once again. And it has resulted in some rather stiff competition.

The shimmering, gold-colored high-rise building that publisher Axel Springer had built in the 1960s is just a stone's throw from the offices of Berlin's legendary left-wing Tageszeitung newspaper, more commonly known simply as the "Taz." But for someone looking from the 17th floor of the Springer building, where the main editorial offices of the influential tabloid newspaper Bild are located, a few trees block the view of the gray building that houses the editorial offices of the Taz, a publication that appears to believe even today that it has the right to dictate what it means to be left-wing in Germany.

But what exactly does it mean to be "left-wing" these days? Is it left-wing to attach to the outside of the Taz building a sculpture of Bild editor-in-chief Kai Diekmann showing him naked, wearing red glasses and cheap brown loafers and equipped with a penis that extends all the way up the front of the Taz building? Or is it just in poor taste?